While Nick and Jenny are out looking for the sarcophagus, Jenny reveals to Nick that he must be connected to Ahmanet somehow, which turns out to be true when she starts to pursue them, but at the last minute, soldiers appear and subdue her. She also finds the blade of the Dagger of Set, absent its jewel, in an ancient church where the Crusaders hid it. She escapes from it and starts feeding on people to bring life back into her body. Meanwhile, Ahmanet’s sarcophagus has fallen out of the plane as it crashed.
Why? Because Ahmanet is already possessing him-she has decided he will be the man whose corpse will one day allow the God Set to live in human form. He ends up waking in a body bag but doesn’t have a scratch on him. Jenny escapes with a parachute, but Nick goes down with the plane. But not before a magnificent plane crash scene occurs-it is really the best plane crash scene I’ve ever seen.
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He tries to open the sarcophagus to free Ahmanet, and when the soldiers try to stop them, he starts stabbing people until Nick shoots and kills him. They raise up Ahmanet’s sarcophagus from where it is enchained in the pool of mercury, and then it is placed on a plane to be brought to England, along with Nick, Chris, and Jenny.ĭuring the flight, Chris, who was bit by a spider in the tomb, becomes possessed by Ahmanet’s power. Jenny Halsey, an archaeologist who had a one-night stand with Nick, arrives to investigate the tomb and comes to realize it’s actually a prison. It also, in Ahmanet’s case, seems to have made her immortal, and immortality is a major Gothic Wanderer theme as well.)īack in modern times, soldier-of-fortune Nick Morton and his partner Chris Vail accidentally discover the tomb of Ahmanet in Iraq. (I need not tell any Gothic Wanderer lover here that selling your soul is a very Faustian act and common in Gothic Wanderer novels.
They then mummified Ahmanet, sentencing her to be buried alive for eternity inside a sarcophagus surrounded by mercury so she could never escape. After murdering her family, Ahmanet tried to sacrifice her lover so Set could enter his corpse, but her father’s priests slew him before the ritual could be completed. Wanting the throne for herself, Ahmanet sold her soul to the Egyptian god Set, who gave her a special dagger to transfer his spirit into a human body. Princess Ahmanet was denied the chance to succeed her father, the pharaoh, when his second wife gave birth to a son. When the knight’s tomb is discovered in modern-day London during a Crossrail construction, we are given a flashback scene to how it got there. This ruby was part of a dagger that the ancient Egyptian Princess Ahmanet used to try to kill her lover so the God Set could enter him and take on human form. Instead, (spoiler alert from here on) we have a prologue set during the Crusades showing that English knights captured a large ruby from ancient Egypt and brought it back to England where they buried it in one of the knights’ tombs. Therefore, it is surprising that the film is not set back in the early twentieth century like the recent films starring Brendan Fraser. The general public’s interest in mummies began because of the early explorations by archeologists in Egypt in the late 1800s, resulting in early mummy novels such as Jane Webb’s The Mummy!, or a Tale of the Twenty-Second Century (1827) and Bram Stoker’s The Jewel of the Seven Stars (1903) and eventually movies like The Mummy (1932).
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A real shame because I thought it was probably the best Gothic film in years as I previously blogged about.) In any case, I am delighted that we will have a new series of Monster films, and despite some of the negative reviews, this film is not just a rehash of old Mummy films but is unusually fresh and does far more with the Mummy theme than any of its predecessors while retaining the themes of undying love, forbidden knowledge, and immortality that have been part of the mummy legacy since the first mummy film of 1932. ( Dracula Untold was supposed to be the first film in the Dark Universe series, but apparently, it has now been dropped and won’t tie into the other films planned. The Mummy is the first film in the new Universal Studios remake of its 1930s monster franchise, which it will call the Dark Universe. The Mummy is the first of the new Dark Universe films, a reboot of Universal’s classic monster films.
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